It’s an unapologetically Freudian approach that frequently circles back to the violent events of the Partition, during which the Sikh Singh and his family found themselves on the Pakistan side of the newly drawn national border. “Bhaag Milkha Bhaag” opens on one such moment - the 1960 Summer Olympics in Rome, where the heavily favorite Singh ended up placing fourth in his signature race (the 400 meters) - then flashes back to Singh’s childhood and adolescence, where Mehra and screenwriter Prasoon Joshi (“Delhi 6”) set about unpacking the personal demons they believe haunted Singh as he made his run for the gold. Singh, who reportedly sold his life rights to the filmmakers for the sum of 1 rupee, is something of an irresistible figure, both for his athletic prowess and for a life marked by twists of fate and fortune straight out of fiction. Boasting an appealing lead performance by director-turned-actor Farhan Akhtar and sturdy direction by Rakeysh Omprakash Mehra (who explored similar themes of personal and national identity in his 2006 “Rang de basanti”), this global July 12 release should post solid returns for producer Viacom 18, if somewhat less than portended by the pic’s high degree of advance hype. Indian Olympic running legend Milkha Singh - otherwise known as the Flying Sikh - gets the lavish biopic treatment in “Bhaag Milkha Bhaag,” a rousing and handsomely crafted sports drama that’s on sure footing when it sticks to the track, but falls short of its ambitions to turn Singh’s life into a metaphor for fraught Indo-Pakistani relations in the years following the 1947 Partition.

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